Zeely (Virginia Hamilton)

Elizabeth and her brother John are sent off for a summer of adventure down to their uncle's house in "the country." They aren't even settled into the house before Elizabeth (who has renamed herself Geeder and her brother Toeboy) becomes obsessed with a neighbor named Zeely Tayber.

Zeely Tayber is the tallest, most richly dark, beautiful, most regal lady Geeder has ever seen. She appears to float instead of walking, she has a supernatural ability with the farm animals, and above all Zeely Tayber is nothing like the other women in town.

When Geeder comes across a photograph in an article about the Watutsi, an ancient African tribe known for their height, she is convinced that Zeely is a Watutsi queen.

By the end of their adventures together, Geeder realizes that Zeely Tayber is very much a queen after all.

I had not read Virginia Hamilton before Zeely, yet for some reason (possibly their collective inclusion on certain reading lists), I had equated her style with Zora Neal Hurston and perhaps even a hint of Maya Angelou. Going into this book with that expectation left me deeply disappointed in Hamilton's prose. Dry, choppy, and free of emotion, Zeely couldn't be farther from what I expected.

Zeely (Virginia Hamilton)

Brave New World (Alduous Huxley)

This book totally gives me the heebie jeebies. Set in this futuristic society, humans are scientifically mass produced rather than reproduced naturally in families. There are no families at all, actually. The term  and concept of "family" is shunned as scandalous. Because the people are produced this way, the population is easily maintained (limited, rather), which promotes the overall societal peace. Another contributor to this "peace" is the fact that soma, which is a hallucinogenic drug, is given freely and encouraged to be taken. High people generally tend to be pretty compliant. That much is true no matter what the century is. Sex is also encouraged, but only recreationally. There is a repetitive mantra of "everyone belongs to everyone else" within the society that makes it permissive for any man to have any woman he so desires, and vice versa. The soma prevents emotional attachment in such encounters.

Comprehending the construct of the society itself is exhausting and mentally taxing. Intertwined with the cultural parameters is the story of a man named Bernard. Bernard is a guy who has taken a preference to one of the girls. This is forbidden, of course, so everyone Bernard shares this with just shoves more soma down his throat. Eventually Bernard and the girl take a trip to a village operating outside the rules of their society, and they witness shocking situations between the people, such as a play which suddenly turns to the mob beating of a young boy. Bernard begins to question the structure of their world, and the result is a ripple effect ending with more soma and recreational sex.

In short, the book seems rather pointless on the whole. Even as I attempt to present a brief summary on the work, I find that it is difficult to synthesize the story because so much of it is...well, ridiculous.

And I hated every word of it.

Brave New World (Alduous Huxley)

Good in Bed (Jennifer Weiner)

Cannie Shapiro is a beautiful, intelligent, hilarious young writer who experiences her life's mortification when one day she cracks open a popular magazine and realizes that her very recently ex-boyfriend has written an article. About her. Including embarrassing information. She confronts him, which ends badly. She tries to win him back, which also ends badly. Eventually, Cannie realizes that of all the things she wants in life, this guy is not on the list. It would have ended nicely right there. Until....Cannie realizes she's pregnant with jerk ex-boyfriend's baby, which also very nearly ends badly. But finally, through a series of miracles and the rallying of her unusual posse of friends, Cannie figures out that she has everything and everyone she could ever want or need. Even the love of her life, who was right under her nose all along.

Good in Bed (Jennifer Weiner)

Blood on the Tracks (Cecelia Holland)

In 1877, the United States was just recovering from the Civil War. The railroad industry was booming, which meant the men who owned the railroads were fantastically rich. And greedy. In a meeting the men decided they weren't as rich as they wanted to be, so they agreed to kick it up a notch by cutting the railroad workers' wages by 10% and increase their workloads. The result was overwhelmingly catastrophic.

The workers began a strike, which snowballed into an all-out war between the remaining local militia and a mob of railroad workers driven crazy by anger. The railroad business owners completely underestimated the mob, and in the span of one night (July 20, 1877), the entire town of Pittsburgh was thrown into complete chaos. Innocent people were shot and killed by stray bullets, buildings were set on fire, and firefighters were held at gunpoint to prevent them from putting the fires out. After the massacre, the number of people who died resulting from wounds inflicted during the chaos is still unknown to this day. That which was documented is completely harrowing. One 4 year old girl was shot in the knee and her leg had to be sawed off. Another Irish immigrant who had only been in the country for a few days was killed without ever even realizing what the fight was even about. Because of the damage inflicted to the cities and to the railroad businesses, the "bosses" learned a lesson that has impacted the way workers have been treated ever since. The workers learned the very same lesson. There is great power, and great responsibility, in mass revolt.

Maybe I just never paid attention in history class, but I must shamefully admit, I didn't even know there was a "Great Railroad Strike of 1877." Did you?

Blood on the Tracks (Cecelia Holland)

Sex on the Moon: The Amazing Story Behind the Most Audacious Heist in History (Ben Mezrich)

Thad Roberts was a co-op working for NASA at Johnson Space Center, and in his brief time there he experienced some rather amazing aspects of the study of space, including what astronauts experience in training, and what they bring back from voyages to space. One day Thad was shown a safe of moon rocks which were considered "garbage" by NASA because they had been removed from a controlled storage and preservation environment so they could be used in scientific research. One thing lead to another, and eventually Thad decided to try taking NASA's trash and turn it into his treasure by selling it to a mineral collector he located online. Yada yada yada, he got busted. Sent to jail for 8 years. Scorned by NASA, scientists, and geologists worldwide. A pock upon the American culture for attempting to profit from the sale of a national treasure. 

This is Thad's story as told by Mezrich, and it is note-worthy to point out that as such, this is the story from Thad's point of view. Controversy has already surrounded this book because people criticize the imbalance and the fantasy communicated through Thad's delusions. (That it was ok to steal lunar samples, that he was helping science by making them more valuable, that this girl he met and fell in love with while still married was his catalyst and inspiration for an adventure. Sounds like hooey to me.) 

Having said that, Thad's story is an incredible one. Though I fall very short of having ample knowledge on the topic, I've long been a NASA junkie. When I saw the description of this book in an email from Amazon regarding summer releases, I fell for it hook, line, and sinker. (Side note: this was my first experience pre-ordering a Kindle book, and I so loved how it was magically delivered to my device at midnight on release date. Very cool!) This book is one of the best nonfiction pieces I have read in a very, very long time. I loved Mezrich's style so much that I automatically began to search out other books he has penned. I love the mystery and mystique of NASA, and this book captures the awe so many of us have for the organization and its missions. 

The timing of the book's release is interesting to me. The last shuttle mission was July 14, 2011. This mission signifies the end of our nation's pride in and fascination with the moon missions and the beginning of our single minded focus on the journey to Mars. The book's release date was July 12, 2011. In it Thad Roberts's thoughts and fascinations regarding his dream of becoming the first man to walk on Mars is described numerous times and in great detail. Could it be that Thad Roberts, in an attempt to make up for his great offense to NASA and science itself, used his book to help convert some of the widespread criticism about the end of the shuttle program to some excitement about the Mars discovery and exploration program? Talk about turning his trash into NASA's treasure! Hmmm...

As terrific as this tale is, there are a few things that irk me a bit. For starters, I believe that the blurbs posted for marketing purposes are drastically misleading. First of all, the book does not at any point state that Thad's reason for wanting to steal the moon rocks was because "he wanted to give his girlfriend the moon." I'm fairly certain I didn't skip a chapter, and by no means did the book ever state that the reason Thad robbed NASA was to give his girl the moon. There may have been a brief mention when the deed was nearly complete that it would be pretty exciting to give her a piece of the moon, but this was about Thad and Thad alone. Additionally, some reviews also state that he "convinced" his accomplices to assist him in the crime; on the contrary, the picture Mezrich paints is one of the accomplices offering themselves up willingly. I mean, it sounds like these reviewers didn't read the galleys at all. Or maybe they did, and it was merely a continued effort to market this book specifically to men. 

And make no mistake, Sex on the Moon is heavily marketed to the man crowd. The title itself isn't one that is going to pique the interest of many ladies. The heavy use of adjectives like "daring" and "audacious" are commonly used in marketing strategies for guys. There are a few scenes in the book describing Thad's lust after and physical encounters both with his wife and with his girlfriend (while still married-the jerk) that aren't necessarily graphic but definitely explicit in detail. Unnecessarily so. I mean, you're chugging along and here's this intimate scene and you think "Hey, I thought this was a book about NASA and moon rocks." 

As for Thad Roberts, I don't know where he is or what he is up to these days, but one thing I know for certain is that the guy is quite the brain. Despite going to federal prison for a sentence of 100 months and hacking off the greatest scientists in the world, his book is absolutely fantastic.

He just may make his millions on those moon rocks after all...

Sex on the Moon: The Amazing Story Behind the Most Audacious Heist in History (Ben Mezrich)

Wonderful Wizard of Oz (L. Frank Baum)

I love the Wizard of Oz. Seriously. Love. It. I am all about some "Somewhere oooover the rainbow..." "Follow the yellow brick road!" and "If I only had a brain." and "I'll get you, and your little dog, too!" and "I'm mellllttttiiiinnnggg!"

And those Munchkins? Don't you dare get me started.

But y'all. Judy Garland had it all wrong. All joking aside, the movie version should have had a disclaimer stating that it was loosely based on the book. There is so much left out, so much that is changed in the version written for the big screen.

Originally published in 1900, it all starts out about the same way. Dorothy has lost both her parents and is living with her aunt and uncle. A cyclone takes away Dorothy and her dog Toto to Munchkin Land, where her house accidentally kills the Wicked Witch of the East. The Good Witch of the North sends Dorothy (with the East Witch's silver shoes-NOT ruby slippers) on a journey to the Emerald City to get help there from the Wizard of Oz. Along her way, she meets the characters we know and love so well from the 1939 movie: Scarecrow, Tin Man, and Cowardly Lion. In the book, however, the story goes into great detail about the Tin Woodman and how he came to be rusted there on the side of the road. As the book tells it, the Tin Man used to be just a woodman who was in love with a girl. The Wicked Witch of the East put a hex on his axe, which turned against him and chopped his limbs off one by one. They were replaced with tin prosthetics until his entire body was made only of tin. His tin body was not given a heart, so he was unable to continue loving the girl he had lost his life over.

The Wicked Witch of the West blames Dorothy for her sister's death and sets out to doing whatever she can to keep her from getting to the Land of Oz. She sends hordes of crows, bees, and wolves to try and stop them. Two additional differences from the movie are that the Wicked Witch of the West has an army of Winkies in her service AND the witch has this Golden Hat. The Golden Hat grants permission to the owner to summon an army of winged monkeys to do her/his bidding. The witch uses her last summoning on Dorothy and her gang, and the monkeys tear apart the Tin Man and Scarecrow. Dorothy gets angry and throws a bucket of water on the witch, wherein she melts theatrically. No surprise there, at least.

So now Dorothy has the Golden Hat. She uses it to get the winged monkeys and the Winkies to help them all get put back together and taken to the Emerald City. They meet the wizard who really isn't a wizard at all, and he accidentally leaves Dorothy and Toto behind when his hot air balloon takes off unexpectedly. Dorothy and her friends make the long journey to see Glinda, the Good Witch of the North. After another series of adventures involving a giant spider and crazy trees, they make it to Glinda. Glinda tells Dorothy that the silver shoes have been her way home the entire time, and so they are. Dorothy and Toto are returned to her aunt's and uncle's house, and they all live happily ever after.

Check it out yourself in Google Books.

Wonderful Wizard of Oz (L. Frank Baum)

I Know Why the Caged Bird Sings (Maya Angelou)

There are some books, some authors, whose styles resonate soundly within me. To Kill a Mockingbird is that way. Every time I crack it open, I literally sigh my way through it because it is just so...beautiful.

I really like to read and enjoy a rather nice variety of genres, but I LOVE it when an author takes ordinary words and crafts them into something so pretty it can only be called art.

Maya Angelou is an amazing wordsmith, and I adore her style. When I was about 2 chapters in to this book, all I could think was I will never forgive my high school English teachers for not exposing us to this.* I mean, we had to read "Hedda Gabler," for cryin' out loud! Ugh.


I Know Why the Caged Bird Sings is Maya Angelou's autobiography. She and her older brother Bailey were brought South to live with their grandmother in Stamps, Arkansas when they were children (this would be the 50's), and encountered more than one brush with racism in its ugliest forms. The best parts of this book are Maya's penning of segregation and racism in ways most people have never fathomed. Before long they were returned to live with their mother, in California. She was a wild woman with a fierce love for her children but little regard for structured parenting. Maya's experiences living with her mother taught her everything she wanted to know and didn't want to know about family. Sadly, young Maya was sexually abused for a lengthy period of time, and soon after she and her brother returned to Arkansas for a time before a string of moves involving their father, their mother, and their grandmother. As Maya grew into a young woman, she questioned everything about herself, including her appearance, her sexuality, and her relationships with her family members. This "self-discovery" led to a pregnancy, and at a very young age Maya Angelou became a mother to her son.

Eventually Maya ended up in the theater and, through both her innate ability to paint pictures with her words and her proclivity for delivering them theatrically, has become an icon of both this century and the last. She continues to write and speak about her life, and the literary world is a better place because she's in it.

Some of my favorite lines from the book:

On Maya's and Bailey's arriving in Stamps, Arkansas: "The town reacted to us as its inhabitants had reacted to all things new before our coming. It regarded us a while without curiosity but with caution, and after we were seen to be harmless (and children) it closed in around us, as a real mother embrace's a stranger's child. Warmly, but not too familiarly." pg. 5

"Of all the needs (and there are none imaginary) a lonely child has, the one that must be satisfied, if there is going to be hope and a hope of wholeness, is the unshaking need for an unshakable God." pg. 23

On her relationship with her brother: "Bailey was the greatest person in my world. And the fact that he was my brother, my only brother, and I had no sisters to share him with, was such good fortune that it made me want to live a Christian life just to show God I was grateful." pg. 22

Maya's feelings while listening to a white politician giving a speech at her high school graduation: "We were maids and farmers, handymen and washerwomen, and anything higher we aspired to was farcical and presumptuous." pg. 180

*I suspect that the reason I Know Why the Caged Bird Sings was kept from us in high school was the chapter toward the end in which she struggles with issues relating to her sexuality. If I'm right, I find this rather unfortunate. I'm a full believer in taking care not to expose children and young adults to material not developmentally appropriate. I also believe that we all need to do a better job of making sure that we aren't "protecting" children and teenagers from issues we find too uncomfortable ourselves. Yet again, a post for another day.

I Know Why the Caged Bird Sings (Maya Angelou)

Water for Elephants (Sara Gruen)

When you reach the end of the short time each of us is given on this Earth, what will be your most memorable moments? For Jacob Jankowski, who is in his nineties, his most powerful memories are from the days he worked for the traveling circus. Starting with the very unexpected death of his parents, Jacob's circus story is filled with sadness, violence, poverty, and injustice. In one situation after another, Jacob (and his new friend Rosie) are connected in a supernatural way. They are both alone and in need of a place to belong. Only for Jacob and Rosie, because it's filled with selfless, crazy people who want only to hurt them, the circus will never be the right home for either of them.

Oh, and another thing...Rosie isn't who you think she is. 

Water for Elephants (Sara Gruen)

School of Fear (Gitty Daneshvari)

School of Fear is one of the (many, many, MANY) books I have purchased at my school book fair over recent years. Published in 2009, this story is about 4 students who have terribly ferocious fears of...something. Bugs, dying, tight quarters, and deep water are among the paralyzing fears of these 12 year old kids. In an act of desperation and desire to be free of their children's paranoias, their parents send them away to an exclusive school designed entirely for curing phobic children of their fears.

I liked the vocabulary exposure readers get in this book. I like the adventure, even if it does get a bit wonky at times. I love the sarcasm. I like the characters a lot, and suspect that many children today can identify with this exaggerated form of unique fears. It has favorable reviews from reputable school library book reviewers, but take a look at the cover. What do you notice?

I am concerned about the lack of cultural diversity in the book. Granted, ethnic diversity just for the sake of diversity is just as shallow as no diversity at all...but that is a post for another day.

It's a great piece to be included in a school library, and would be especially satisfying to Lemony Snicket fans.

School of Fear (Gitty Daneshvari)

Harvesting the Heart (Jodi Picoult)

Because Paige O'Toole's mother abandoned her and Paige's father at a young age, she has been left with a lifetime of empty, longing memories and curiosities about what would possibly cause a mother to leave her child. Because of the scar left on her by this abandonment, Paige develops a proclivity for running herself. Though she has a wonderful and supportive father, as soon as she graduates from high school, Paige runs away from home to pursue art school...

And then she meets Nicholas. Nicholas, the cardiothoracic surgeon. Nicholas, the (not by much) older man. Nicholas, her knight in shining armor. 

They have a wildly brief courtship and marriage, and just as Paige is about to be on the brink of starting the art school she always dreamed of, they have a son. Max is the love, delight, and the great terror of Paige's life. Overwhelmed by the demands of motherhood, her perceived loss of herself, and by an increasingly unhappy marriage, Paige does the one thing Paige knows how to do. She runs. She runs far away from what and who she has, at the same time running toward who and what she wants. 

I love Jodi Picoult. This wasn't my favorite of her works, as in my opinion it was a bit lengthy at the expense of precision. Still, pretty good for some heavy mom-introspection. 

 

Harvesting the Heart (Jodi Picoult)