5.22.2013
I'm moving!
5.06.2013
Middle School: Get Me Out of Here! (James Patterson)
Middle School: Get Me Out of Here! (James Patterson)
5.01.2013
1984 (George Orwell)
1984 (George Orwell)
4.29.2013
Middle School: The Worst Years of My Life (James Patterson)
Middle School: The Worst Years of My Life (James Patterson)
3.03.2013
Island Beneath the Sea (Isabel Allende)
Zerite is born into an inferior position in a tumultuous time, and she is a beautiful soul who lives an immensely difficult life. Throughout her story, I continued to hope against all hope that somehow things would work out for Zerite...that somehow she could ease through one loophole or another and find her happiness. Be forearned: rarely did this happen for Zerite; unfortunately, hers was a very realistic tale.
A work of historical fiction, Island in the Sea by Isabel Allende provides a holistic understanding of slavery in the Caribbean and gulf societies. Among the many stories colliding in this book is the fascinating history of the very factual uprising among slaves in Saint-Domingue.
*Amazon affiliate links included; please see disclosure statement at bottom of page.
Island Beneath the Sea (Isabel Allende)
2.10.2013
Black Like Me (John Howard Griffin)
I'll be researching more about this John Howard Griffin in order to affirm or re-evaluate my initial opinion that he's pretty much an unsung hero of the civil rights movement. At this point in my knowledge of him, he seems to have been a major protagonist in the development of social justice for black Americans. For all Americans, really.
I'm sort of furious that we didn't read this book in high school.
Griffin's book was written in the late 50s and is about an experiment he performed to discover if and how there were differences in the ways black and white men in the South were treated. In 1957, he decided to medically darken his skin so that he looked like a black man. This book chronicles his experiences in a string of Deep South cities from New Orleans over to Atlanta, including stops in Mobile, Montgomery, and Biloxi. For six weeks, Griffin ventured into each city alternating between white Griffin and "Negro Griffin."
*It was 1957. The words "Negro" and "n*****" were used commonly and crudely. They're all over this book. I won't censor direct quotes, as that would detract from historical accuracy. Personally, however, I am rather uncomfortable using the terms even in this setting.
Obviously, he encountered rather poor treatment when he was black. The book details the stress of being harassed by white teenagers, his inability to get a job, and a bile-rising string of depraved questions from white men regarding very intimate details of black men's personal relationships. Once the experiment ended, Griffin's personal knowledge led to him becoming a common guest to meetings with leaders of both races (some separate, others mixed) who were seeking ways to bring peace and justice to the country. He writes of criticism on both sides of mistakes made during this critical time period.
Normally a good book means a few marked pages or highlights/notes in my Kindle. This may tell you something about the number of penetrating statements within this book.
I won't list them all, and for the sake of reasonableness, I've limited myself to the five most profound.
"The Negro. The South. These are details. The real story is the universal one of men who destroy the souls of other men (and in the process destroy themselves) for reasons neither really understands. It is the story of the persecuted, the defrauded, the feared, and detested. I could have been a Jew in Germany, a Mexican in a number of states, or a member of any 'inferior' group. Only the details would have differed. The story would be the same." (Preface)
"I learned a strange thing- that in a jumble of unintelligible talk, the word 'n*****' leaps out with electric clarity. You always hear it and it always stings. And always it casts the person using it into a category of brute ignorance. I thought with some amusement that if these two women only knew what they were revealing to every Negro on that bus, they would have been outraged." (Pg. 21)
"My revulsion turned to grief that my own people could give the hate stare, could shrivel men's souls, could deprive humans of rights they unhesitatingly accord their livestock." (Pg. 67)
"The white man's fears have been widely broadcast. To the Negro, these fears of 'intermingling' make no sense. All he can see is that the white man wants to hold him down- to make him live up to his responsibilities of taxpayer and soldier, while denying him the privileges of a citizen." (Pg. 121)
"Too many of the more militant leaders are preaching Negro superiority. I pray that the Negro will not miss his chance to rise to greatness, to build from the strength gained through his past suffering and, above all, to rise beyond vengeance." (Pg. 164)
Look, I grew up in the 80s and 90s. I won't even begin to pretend I understand the scope of what happened in this country during the civil rights movement. I could never fully grasp the complexity of all sides involved. I do pay close attention to this part of our history, perhaps because mine is a transracial family and maybe because I believe social justice is essential to the liberty of our great land.
Black Like Me is the can opener many people need to crack our minds wide enough to consider the intricacy of racial tensions and issues, both past and present.
*Please view disclosure statement at bottom of page.
Black Like Me (John Howard Griffin)
12.25.2012
Peeking out from behind the curtain...
That happens sometimes.
It's the good thing about blog-writing as a hobby...pick it up and leave it off as life permits.
Without guilt.
Life hasn't permitted lately.
But maybe, maybe just perhaps it might soon.
And I hope you'll be here, not dying of shock when my posts come up in your feed again.
Peeking out from behind the curtain...
8.18.2012
Raised Right: How I Untangled My Faith from Politics (Alisa Harris)
Raised Right: How I Untangled My Faith from Politics (Alisa Harris)
6.23.2012
Chaos Walking trilogy (Patrick Ness)
Todd and Viola are the main characters of the series, and both their distinct differences as well as their similarities are what bind the past of the old world to the future of the new world. Speaking of the new world...it's essential background knowledge that Todd and Viola are one of several thousand inhabitants on a planet called New World. It's also important to know that on New World there is something rather strange about the atmosphere that causes men's thoughts to become audible (and their visual thoughts/memories shared with whoever is near). They refer to it as their Noise.
The Knife of Never Letting Go
It's in this first book that we meet Todd and learn that he is on the verge of becoming a man. It isn't quite clear what "becoming a man" means, though, and Todd is as conflicted as he is eager to join the rest of his community...given that he is the very last boy among them. This community (Prentisstown) is made up entirely of men, and there are both strange and terrible stories about just what exactly has happened to all the women who originally settled here in New World. Prentisstown is filled with men whose Noise is broadcasted throughout the city, which makes for a very odd life indeed.
One day, Todd is out near the swamp and he discovers a "hole" in the Noise. This turns out to be a girl (Viola), the first he's ever met. Todd is completely thrown by her, specifically the fact that she has no Noise. He has never known anyone whose thoughts he could not hear. When Todd tells his fathers (his real parents died long ago, and Todd has been raised by Ben and Cillian), they spring into action and immediately begin to get Todd out of Prentisstown. Todd has no idea what is going on, but obeys them, taking very light supplies and his mother's diary as he flees. He finds the girl again, and together they take off to escape an army of troops from the city coming to capture and perhaps kill them.
As Todd and Viola run away from Prentisstown, they meet several people along the way who help them learn where they are running TO: Haven. Haven is considered the biggest, safest, most advanced city on New World, and it is there they will find refuge. That is, IF they aren't killed along the way by the various madmen chasing them or Spackle (natives to New World) who might attack them out in the wilderness.
The Ask and an Answer
The second book in the series opens with Todd and Viola's arrival in Haven, and their subsequent disappointment that the place is not what it's been cracked up to be. Viola is wounded, Todd is out of his mind with fury, and both are separated by the man who they have feared most on New World: Mayor Prentiss of Prentisstown. They spend most of the book separated and concerned about the other, but still maintain a very special connection aligning them with hope for the future.
The Spackle are an important part of this book as well. Native aliens to New World, the Spackle communicate only through their Noise, which Mayor Prentiss does his best to squelch. In hopes of saving Viola, Todd agrees to work with the mayor and his son until he can figure out a way to get to her. It is through this working relationship that Todd learns just how deranged the mayor is...at the same time, Viola is dealing with a madwoman of her own who has her own methods of taking Haven back from the crazy mayor.
Monsters of Men
The last book in the series opens with an all out three-way war between the mayor and his men, Viola's mistress and her army of angry women, and thousands of enraged Spackle. Todd and Viola are completely in love by now but are divided by the sides of men and women who are fighting one another and the Spackle for control of New World. The story is further complicated when a scout ship arrives from another population of new humans hoping to settle on New World. The lines between crazy and redeemable are blurred as Todd begins to hope the mayor can change after all, and as everyone on each side are fighting for their lives as well as for the future of New World.
There were several themes in the trilogy that wholly intrigued me. First, there's the gender separation by the Noise. The men and the women were both equally right and equally wrong in the mistakes they made when pitted against one another, yet there was the perpetual argument of who erred against whom first or worst. It was fascinating to see how the various communities reacted to one another in separation.
I also of course couldn't help but wonder WHAT the Noise is supposed to mean...especially in light of the fact that only men are affected. What is the author saying about men?
It was also interesting that Ness included two separate couples of the same gender in his trilogy. The relationships were not critical to the plot in any manner, other than that they made up half of the only four couples defined at all in the works.
I just haven't been able to get the series out of my head! I haven't found anyone else who has read the books yet, so hopefully spewing it out here will give me some closure.
Chaos Walking trilogy (Patrick Ness)
4.03.2012
Moon Over Manifest (by Clare Vanderpool)
It is only after discovering a box of trinkets and, along with the help of a few friends she quickly learns she has misjudged, Abilene uncovers the pieces to the mystery of Manifest...and her father as well.
*Moon over Manifest is the 2011 Newbery Award winner.
Moon Over Manifest (by Clare Vanderpool)
1.01.2012
The Connected Child (Dr. Karyn Purvis)
The Connected Child is a book that came up in nearly every reference list of every conference presenter, web training, international adoption medical seminar, and conversation with other adoptive parents, and for good reason. This stuff is gold.
Though this work is really more a reference book than one to read cover-to-cover, I did it anyway. Hard headed, I am, indeed. Filled with practical tips for meeting the highly specific needs of children who have difficult histories, this book has rightly earned its place in the very tight circle of adoption parents. Truth be told, the explicit instructions for nurturing children is good for parents of any type.
I would recommend reading the first few chapters, skimming the rest, and utilizing that Table of Contents and Index to the best of one's ability. This one's a keeper, people.
The Connected Child (Dr. Karyn Purvis)
12.31.2011
Favorites of 2011
By the way, are we friends on Goodreads? We should be. Let's make that happen.
So, of my 53, these are my favorites from 2011.
Sex on the Moon (Ben Mezrich)
I Know Why the Caged Bird Sings (Maya Angelou)
Water for Elephants (Sara Gruen)
Bossypants (Tina Fey)
Percy Jackson Series (Rick Riordan): Lightning Thief, Sea of Monsters
The Immortal Life of Henrietta Lacks (Rebecca Skloot)
Horseradish: Bitter Truths You Can't Avoid (Lemony Snicket)
I Have a Dream (Dr. Martin Luther King, Jr.)
The Help (Kathryn Stockett)
Mockinjay (Suzanne Collins)
Happy New Year! I'm thinking of going for 75 in 2012. What about you?
Favorites of 2011
12.30.2011
The Books of Elsewhere: The Shadows (Jacqueline West)
The weird thing is, the walls are covered with paintings...creepy, beautiful, sinister, and classic-looking paintings. Odder still, the paintings are fixed fast to the walls. Before long, Olive discovers that there is way more to this new house of hers...and its paintings...than meets the eye.
The Books of Elsewhere: The Shadows (Jacqueline West)
9.29.2011
13 Alabama Ghosts and Jeffrey (Kathryn Tucker Windham and Margaret Gillis Figh)
June 12, 2011 marked the passing of Kathryn Tucker Windham, one of Alabama's most famous authors. Known for her storytelling abilities, Windham's most notable works were her Jeffrey books. 13 Alabama Ghosts and Jeffrey was Windham's first, and though it was published in 1969 it remains one of the most popular items in my nonfiction section to date.
From the ghost of a forlorn captain haunting Mobile's State Street to the sulking phantom of a young girl at Huntingdon College, 13 Alabama Ghosts and Jeffrey takes readers all over the state of Alabama in an adventure of legend and mystery.
13 Alabama Ghosts and Jeffrey (Kathryn Tucker Windham and Margaret Gillis Figh)
9.27.2011
M.C. Higgins, the Great (Virginia Hamilton)
M.C. Higgins, the Great (Virginia Hamilton)
9.26.2011
The House of Dies Drear (Virginia Hamilton)
I don't know about you people, but I think ghost stories are lame. They're creepy, and weird, and give me the heebies jeebies. I really can't back that up with anything substantial or scientific or factual...just not a fan of the weirdness.
I thought Dies Drear was going to be different. I had such hopes that this book would be as much about the history of the Underground Railroad as some of its reviews tout. The first few chapters were promising. I learned that approximately 100,000 slaves fled to Canada for freedom between 1810 and 1850, and that 40,000 of them had passed through Ohio. However, that fact was pretty much it as far as the Underground Railroad goes. The rest of the book was suspenseful at times, but had more to do with the supposed ghosts inhabiting Dies Drear's house (the secret chambers of which he used to hide runaways) than anything else.
Here's my other beef with this book: [whispering] I don't really like Virgnia Hamilton's style. [cue "shocking" music]
I want to. I like her. I like her purpose. She must have been something special because she won numerous awards, including a Coretta Scott King, a Newbery, and an ALA Lifetime Achievement Award. She was one of the best known and most distinguished children's book authors in American history. But I just don't like her style. The dialogue is dry and choppy. The characters are emotional wastelands. The plot, even when multiple stories intertwine, are shallow and lack complexity.
The thing is, I'm supposed to like her style. She's a very important author in our history! What am I missing?
The House of Dies Drear (Virginia Hamilton)
9.22.2011
The Absolutely True Diary of a Part-Time Indian (Sherman Alexie)
Born "with water on the brain," 14 year old Junior is seizure-prone and poor as dirt. Here he tells the story of life on his Spokane Indian reservation, in all its shocking and gut-wrenching glory. Junior's physical issues and desire for a different life cause him to be something of a target on the "rez," and before long he finds himself enrolled at Reardan, the closest mostly white high school. Violence, cruelty, alcoholism, racism, and tragedy are normal daily occurrences for Junior; though his voice is laden with wit and charm, still the book is peppered with negative stereotypes about the Native American culture.
The oppressive poverty is the worst, and the root of all the other issues. Junior's take:
"It sucks to be poor, and it sucks to feel that you somehow deserve to be poor. You start believing that you're poor because you're stupid and ugly. And then you start believing that you're stupid and ugly because you're Indian. And because you're Indian you start believing you're destined to be poor. It's an ugly circle and there's nothing you can do about it. Poverty doesn't give you strength or teach you lessons about perseverance. No, poverty only teaches you how to be poor." (pg. 13)
Though it is overrun with stereotypes, the difference for The Absolutely True Diary of a Part-Time Indian is that as the narrator, Junior is a funny yet deeply self-reflective Native American. He describes experiences with his culture that cannot be disputed by those of another race. Another consideration is that through use of Junior’s very strong, specific voice, these stereotypes are brought to light to reveal their complex combination of truth and utter ridiculousness.
The Absolutely True Diary of a Part-Time Indian (Sherman Alexie)
9.14.2011
Zeely (Virginia Hamilton)
Elizabeth and her brother John are sent off for a summer of adventure down to their uncle's house in "the country." They aren't even settled into the house before Elizabeth (who has renamed herself Geeder and her brother Toeboy) becomes obsessed with a neighbor named Zeely Tayber.
Zeely Tayber is the tallest, most richly dark, beautiful, most regal lady Geeder has ever seen. She appears to float instead of walking, she has a supernatural ability with the farm animals, and above all Zeely Tayber is nothing like the other women in town.
When Geeder comes across a photograph in an article about the Watutsi, an ancient African tribe known for their height, she is convinced that Zeely is a Watutsi queen.
By the end of their adventures together, Geeder realizes that Zeely Tayber is very much a queen after all.
I had not read Virginia Hamilton before Zeely, yet for some reason (possibly their collective inclusion on certain reading lists), I had equated her style with Zora Neal Hurston and perhaps even a hint of Maya Angelou. Going into this book with that expectation left me deeply disappointed in Hamilton's prose. Dry, choppy, and free of emotion, Zeely couldn't be farther from what I expected.
Zeely (Virginia Hamilton)
8.06.2011
Brave New World (Alduous Huxley)
Comprehending the construct of the society itself is exhausting and mentally taxing. Intertwined with the cultural parameters is the story of a man named Bernard. Bernard is a guy who has taken a preference to one of the girls. This is forbidden, of course, so everyone Bernard shares this with just shoves more soma down his throat. Eventually Bernard and the girl take a trip to a village operating outside the rules of their society, and they witness shocking situations between the people, such as a play which suddenly turns to the mob beating of a young boy. Bernard begins to question the structure of their world, and the result is a ripple effect ending with more soma and recreational sex.
In short, the book seems rather pointless on the whole. Even as I attempt to present a brief summary on the work, I find that it is difficult to synthesize the story because so much of it is...well, ridiculous.
And I hated every word of it.
Brave New World (Alduous Huxley)
8.05.2011
Good in Bed (Jennifer Weiner)
Good in Bed (Jennifer Weiner)






